They say travel is the best way to see the world. I'd say the next best thing would be to transport yourself through international cinema. Most film lists online are dominated by American movies –– which only goes to show how titles that feature a main language other than English tend to get sidestepped by global audiences. But the world is a big place, and there’s more to streaming great films than Hollywood. To reset the balance and help guide your journey through contemporary world cinema, we’ve curated a list of the 100 best foreign-language films to come out in the past decade or so.
The 100 Best Foreign-Language Movies of All Time
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70.
Jerichow (2009)
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German writer-director Christian Petzold tells a story of a fateful encounter trapped in a love triangle. Thomas, Laura, and her husband Ali quickly become enmeshed in a three-way relationship rich with desire, pressure, and betrayal. Another Hitchcockian tribute by Petzold, Jerichow has all the elements of a neo-noir, but it's set in broad daylight. The plotting, the secret love affairs, the femme fatale with no back up plan: all the necessary ingredients for a chaotic tale, wrangled by desirous tensions, to say the least. A film whose mystique is rather haunting, but far from spectral, Jerichow doesn't conceal its clear references to "The Postman Always Rings Twice".
Our staff rating: 8.5/10
Genre: Drama
Actor: Andre Hennicke, Benno Fürmann, Claudia Geisler-Bading, Hilmi Sözer, Knut Berger, Marie Gruber, Nina Hoss
Director: Christian Petzold
69.
End of the Century (2019)
Done entirely in candid conversation and quiet walks around the city, End of the Century may at first come across like another mumblecore romance, but director Lucio Castro brings such a delicate touch to this story that every idle moment feels like it means the world. An unspoken longing hangs suspended between characters Ocho and Javi, and it's their little dance of disclosing more and more parts of themselves to each other that drives everything forward. And as the film reaches its miraculous third act, where hope and regret are articulated in such a painful—but kind—manner, it transcends its mumblecore inspirations and becomes its own vision of how our relationships change the way we grow.
Our staff rating: 8.5/10
Genre: Drama, Romance
Actor: Helen Celia Castro-Wood, Juan Barberini, Mariano López Seoane, Mía Maestro, Ramón Pujol
Director: Lucio Castro
68.
Look Back (2024)
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When the world gets dark– when something bad happens that makes you lose your faith in the world around you– it can be hard to think that art would be of any help. After all, a piece of paper with scribbles on it can’t undo the wrong that’s happened, or help out directly with the concrete, solidified systems and solutions to the world’s problems. Look Back even acknowledges the possibility of art harming its creators, but through the friendship forged by Fujino and Kyomoto, it also acknowledges the way art can save you and the people who share that love, through some of the most beautiful animation ever created.
Our staff rating: 8.5/10
Genre: Animation, Drama
Actor: Daisuke Takahashi, Kota Oka, Kureha Maki, Maaya Sakamoto, Masumi Taira, Mizuki Yoshida, Rina Endou, Shinnosuke Tokudome, Toshiyuki Morikawa, Yoichiro Saito, Yuumi Kawai
Director: Kiyotaka Oshiyama
67.
The Seed of the Sacred Fig (2024)
The Seed of the Sacred Fig bravely takes on the increasingly violent patriarchy and theocracy in modern-day Iran. It follows a family of four—Iman, Najmeh (Soheila Golestani), Rezvan (Mahsa Rostami), and Sana (Setareh Maleki)—and reveals how the political can creep into the personal. Iman, the father, has just been promoted at work (he’s one step closer to being a judge), while his two daughters are budding revolutionaries. The educated girls see through the lies of state television and challenge their conservative parents’ ideas on government and religion. It sounds straightforward, but director Mohammad Rasoulof lets everything unfold subtly and sharply. By the second half, the film transforms into a slow-burn thriller as the family home becomes a microcosm of Iran itself. It’s a brave film helmed by even braver people. Rasoulof and his cast, who filmed in secret to avoid the film ban in Iran, had to escape to Europe after they were interrogated and sentenced in their home country. The Seed of the Sacred Fig can’t encapsulate the entirety of Iran’s troubles, nor does it try, but it’s a good place to start.
Our staff rating: 8.5/10
Genre: Crime, Drama, Thriller
Actor: Mahsa Rostami, Misagh Zare, Niousha Akhshi, Reza Akhlaghirad, Setareh Maleki, Soheila Golestani
Director: Mohammad Rasoulof
66.
Shéhérazade (2018)
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A gritty and realistic thriller set in France’s notorious capital city of crime - Marseille.
Zachary is released from Juvenile prison to learn that his mother has abandoned him. He finds kinship in an underage sex worker by the name of Shéhérazade.
This seems like the set-up for a tough watch, but Shéhérazade plays like a romance when it’s slow, and a crime thriller when it’s fast (it’s mostly fast). Everything about the story and two leads’ relationship rings true. Added to the fact that it has no interest in emotionally manipulating you, the movie is more gripping and thought-provoking than sad.
A great story, fantastic acting from the cast of first-timers, and outstanding direction give the feeling that Shéhérazade is bound to become a modern classic. If you liked City of God, you will love this.
Our staff rating: 8.6/10
Genre: Drama, Romance, Thriller
Actor: Dylan Robert, Idir Azougli, Kader Benchoudar, Kenza Fortas, Lisa Amedjout, Nabila Ait Amer, Nabila Bounad, Sofia Bent
Director: Jean-Bernard Marlin
65.
And Then We Danced (2020)
Georgian dance has cut-throat competition: the art form is dying even within Gerogia, and to make it, dancers compete to join the one duo that represents the country. The chance finally comes and the spot opens up, igniting the hopes of performers from around the country. Mervan is one of them, a young dancer from a poor background who takes food from his restaurant job to feed his family. His main competition is a newcomer, Irakli, who also comes from a difficult background and hopes to secure the spot to provide for his ill father.
When their lives hang on them competing against one another, Mervan and Irakli fall for each other.
And Then We Danced is full of incredible dance sequences that add to the beauty of the romance at its center; but it's also a heartbreaking exploration of unfulfilled ambition.
Our staff rating: 8.6/10
Genre: Drama, Romance
Actor: Aleko Begalishvili, Ana Javakishvili, Bachi Valishvili, Giorgi Tsereteli, Mate Khidasheli, Ninutsa Gabisonia, Tamar Bukhnikashvili, Tamari Skhirtladze
Director: Levan Akin
64.
35 Shots of Rum (2008)
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This bittersweet film about a father and a daughter marks one of the more tender spots in Claire Denis’ brilliant filmography. Frequent collaborator Alex Descas plays Lionel (the father), while Mati Diop, now a director in her own right, plays Josephine (the daughter.) The film captures the two at a crossroads, with their closely-knit relationship tested as Josephine grows closer to her boyfriend, and Lionel must face the possibility of finally letting her go.
A melancholy lingers in the air as we learn more about their lives and the small community of neighbors and coworkers in their orbit. Meanwhile, the film's climax holds a mesmerizing sequence set to the Commodores’ Nightshift, which has to rank as one of the best needle drops in cinema from a director who already has an all-timer under her belt. (see. Beau Travail)
Our staff rating: 8.6/10
Genre: Drama
Actor: Adèle Ado, Alex Descas, Djédjé Apali, Ériq Ebouaney, Grégoire Colin, Ingrid Caven, Jean-Christophe Folly, Mati Diop, Nicole Dogué
Director: Claire Denis
63.
The Death of Mr. Lazarescu (2005)
Mr. Lazarescu is a widower living with his cats in a small Bucharest apartment. One night when he begins to feel sick and calls for help, he sets in motion a kafkaesque parade of nurses, doctors, and hospitals as he is ferried through a bureaucratic maze unable to get treatment for his rapidly deteriorating condition. Cristi Puiu’s searing indictment of a failed healthcare system mixes kitchen-sink realism with tinges of gallows humor for a remarkable one-of-a-kind experience.
Beneath its grim demeanor is a clear-eyed portrait of the heart-rending weariness of paramedics and hospital staff that speaks spectacularly to our current mid-pandemic moment of exhausted doctors and overflowing facilities. This focus on the toll of the system on paramedics, in particular, makes this a fantastic pairing with Martin Scorcese’s’ underrated Bringing Out the Dead.
Our staff rating: 8.6/10
Genre: Comedy, Drama
Actor: Adrian Titieni, Alexandru Potocean, Alina Berzunteanu, Anca Puiu, Bogdan Dumitrache, Cerasela Iosifescu, Clara Vodă, Cristi Puiu, Dan Chiriac, Dana Dogaru, Dorian Boguta, Doru Ana, Dragos Bucur, Florin Zamfirescu, Gabriel Spahiu, Ioan Fiscuteanu, Ion Fiscuteanu, Laura Creț, Luminita Gheorghiu, Mimi Brănescu, Mimi Branescu, Monica Bârlădeanu, Monica Barladeanu, Rodica Lazăr, Șerban Pavlu, Simona Popescu
Director: Cristi Puiu
62.
A Hero (2021)
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Celebrated Iranian director Asghar Farhadi’s latest movie is about Rahim, a man who is in jail because he was unable to repay a debt. He gets a temporary release from prison, and with a big smile on his face, he leaves his confinement with a plan not to come back.
His secret girlfriend hands him a pack of gold coins, which they plan to sell to repay the creditor. But, as is custom with Farhadi’s movies, the center of the story is a moral dilemma that comes from one of the characters trying to be a good person. The gold coins are not Rahim’s or his girlfriend’s, but it's life-changing for both of them.
Selected as Iran's official submission to the Oscars.
Our staff rating: 8.6/10
Genre: Drama, Thriller
Actor: Ali Reza Jahandideh, Amir Jadidi, Ehsan Goodarzi, Farrokh Nourbakht, Fereshteh Sadr Orafaee, Maryam Shahdaie, Mohsen Tanabande, Mohsen Tanabandeh, Sahar Goldoost, Sarina Farhadi
Director: Asghar Farhadi
61.
A Sun (2019)
In The Sun, a family of four is dealt with tragedy after tragedy, beginning with the younger sun A-ho's sudden incarceration. The mother is sympathetic but the father all but shuns him as he chooses to throw all his affection to A-hao, the older brother, and his med school pursuits instead. Themes of crime, punishment, family, and redemption are then explored in gorgeous frames and mesmerizing colors with director Chung Mong-hong doubling as the film's cinematographer.
Despite itself, The Sun never falls into cliche melodrama territory. Its heavy themes are undercut by naturalistic acting and poetic shots, resulting in a deeply emotional but balanced film. Rich in meaning and beauty, The Sun will surely stay with you long after your first watch.
Our staff rating: 8.6/10
Genre: Crime, Drama, Family
Actor: Apple Wu, Chang Han, Chen Yi-wen, Chen Yiwen, Chen-Ling Wen, Chien-Ho Wu, Chih-ju Lin, Greg Hsu, Guan-Ting Liu, Han Chang, Huang Hsin-Yao, Ivy Yin, Ko Shu-Chin, Kuan-Ting Liu, Li-Tung Chang, Liao Hui-Jen, Lin Chih-ju, Liu Kuan-ting, Lung Shao-Hua, Ming-Shuai Shih, Samantha Ko, Samantha Shu-Chin Ko, Shao-Huai Chang, Shih Ming-shuai, Shu-Chin Ko, Shu-qin Ke, Siu Wa Lung, Wang Ko-Yuan, Wen Chen-ling, Wu Chien-ho, Wu Tai-ling, Yi-Wen Chen, Yin Shin
Director: Chung Mong-hong, Mong-Hong Chung
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