50 Best Scandinavian Movies to Watch Now
A Thousand Times Good Night (2013)
The choice between practicality and passion is the subject of many a drama, but A Thousand Times Good Night depicts that passion stemming from a different place. Rather than pure expression, or creativity, director Erik Poppe depicts the passion of his former profession of photojournalism stemming from social importance– not just status, but in possibly changing the course of history. The semi-autobiographical story clearly has an understanding of the craft, and with her moving performance, Juliette Binoche proves to be an effective proxy, as her character takes risks her family find it hard to tolerate, and as continually choosing those risks, also entails influencing your family to make that same sacrifice. Some viewers might not agree with these choices, but nevertheless A Thousand Times Good Night is a palpable character study of someone whose career is personally interlinked with their advocacy, their identity, and their philosophy of what the world should prioritize.
Teddy Bear (2012)
This Danish movie is about a failed 38-year-old bodybuilder who lives with his mom and has never left Denmark. In an expected move, and while telling his mom he’s going to Germany, he travels to Thailand in hopes of finding love. It might at first seem like a disastrous storyline (of sex tourism), but that part of the movie is almost accidental. Teddy Bear is actually a sweet and likable story of a man who wants to break away from his domineering mother, and a journey of someone who starts growing up later in life.
Queen of Hearts (2019)
This Danish film which was the country's submission to the Oscars is about a delicate subject. A lawyer who specializes in defending children, and who is used to developing closeness with her clients including meeting with them in her home, starts having an affair with her teenage step-son. There is inherent tension to this obviously very explicit plotline: how would a serious, non-erotic (or not-only-erotic) movie like this one portray such attraction. And of course, afterwards, what are the implications?
Utøya: July 22 (2019)
This movie is different from a Netflix release about the same events. Actually, it's different from any movie you've probably seen before. Depicting the terrorist attack that took 77 lives in 2011 in an island near Oslo, Norway, it's made to make you feel as if you were part of the attack. It's shot to resemble one take, and the time of the movie is the time it took the attack to unfold (so you're witnessing it in real-time). While closely based on the accounts of two survivors, it follows a fictional character called Kaja who looks for her sister during the attacks. Utøya: July 22 pushes the limits of what you can watch in a movie but serves as a terrifying testament to the atrocity of a terrorist attack of such nature.
Becoming Astrid (2018)
This Swedish movie is the story of Astrid Lindgren, one of the most translated children book writers of all time. Her work of over 100 books includes Pippi Longstocking and The Brothers Lionheart. Away from the quiet existence of the characters she would later create, Astrid had a turbulent life. Her troubles start when she falls for the editor of the paper she worked at when she was young, a man 30 years her senior. This results in an unwanted pregnancy and Astrid is pushed to immigrate.
Pelle the Conqueror (1987)
When depicting a novel, book adaptations on film, especially earlier on in the medium, tend to be quite lengthy. The film version of Pelle the Conqueror does have this quality, and the storylines that aren’t directly connected to Pelle and Lasse do feel randomly stitched in. But, when this epic film focuses on Pelle and Lasse– their struggles immigrating to another country, dealing with harassment from the Danish majority, and the rare moments of joy once they finally figure things out– it shines. The legendary Max von Sydow and Pelle Hvenegaard (who was one of the many boys named after the title character) share a tender father-son dynamic that easily stirs one’s heart, and it’s all beautifully captured within Denmark’s lovely countryside. Pelle the Conqueror may only adapt the first of four volumes of the iconic Danish novel, but it does compassionately capture the struggles of the country’s impoverished immigrants.
Pusher (1996)
Films about drug dealing aren't particularly new, but the way Pusher delves into their lives feels different– more realistic than glamorous, somewhat like a guerrilla documentary, with the handheld camera as a silent, unnamed witness. As the camera follows low-level dealer Frank through the course of a week, Kim Bodnia skillfully garners empathy with the way he holds himself through the pressure, and does the opposite when he does the same wrongs that were done to him. The story itself may be simple, but writer-director Nicolas Winding Refn made his mark through this debut, inadvertently creating a franchise and influencing Danish cinema.
We Are the Best! (2013)
We Are the Best! is one movie that may be overlooked largely by viewers, though it perfectly captures counterculture, and relates to the misfit young and old. The movie is an adaptation of Moodysson's wife Coco's graphic novel "Never Goodnight". Set in Stockholm, Sweden in 1982, Klara (Mira Grosin) and her best friend Bobo (Mira Barkhammar) are junior high teenage girls who believe in their heart that punk rock is alive and well. With both of their home lives not so pleasant, the girls spend their time at the local youth center while taking up the time slot in the band room to get revenge on the local metal band. That's when they find themselves starting a punk band without even knowing how to play an instrument. We Are the Best! is a fun and deeply sincere exploration of adventure, friendship, love, and betrayal in adolescence.
Force Majeure (2014)
A seemingly well-adjusted Scandinavian Family vacationing in the French Alps experiences a frightening avalanche scare near the beginning of Force Majeure, thereby unleashing a cacophony of mistrust and anxiety as their dynamic is shaken to the core. This pitch black comedy from Sweden charts the steady disintegration of the family unit and the father’s psyche in particular, as his reaction to impending death leaves his family deeply questioning his masculinity and prioritization of their well-being. The stages of blame and negotiation play out with painful honesty, holding back very little in a manner that leaves the viewer supremely uncomfortable, as if eavesdropping on a neighbor's personal affairs. The effect is unsettling yet stunningly honest and often laugh-quietly-on-the-inside worthy in its depiction of human vulnerability. Unlike many narrative films, the “climax” comes at the beginning of Force Majeure, with the remainder of the film acting as an extended denouement in the form of a measured, Kubrickian character study.
In Order of Disappearance (2014)
This movie is pretty much in every regard a Norwegian Kill Bill. It’s a dark gory comedy where, naturally, the substitute for Uma Thurman doing damage is an emotionless Stellan Skarsgård. After his son is killed by a drug gang, Skarsgård’s character, fresh off a win of a “citizen of the year” award, embarks on a ruthless journey to track and kill the murderers. This takes place in one of the most remote areas in Norway, where the main character works as a snowplow driver. You guessed it, some people will get snowplowed. Seems familiar? That’s because this year it was turned into a horribly sub-par American movie called Cold Pursuit, with, ugh, Liam Neeson.
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