With its global roster, Netflix has been pumping out a plethora of great TV shows in 2023. The streaming service has nabbed an impressive variety of original series, highly-anticipated anime, record-breaking spin-offs, and groundbreaking docuseries. We've been keeping our eye on all of these great releases and compiled our favorites for you to check out and binge-watch in the list below.
20 Best 2023 TV Shows on Netflix Right Now
Nothing to See Here
When a comedy is centered around people with disabilities, there’s a worry that the humor would be unfunny or demeaning – there’s a misconception that disabled jokes would surely have to be one or the other. But Nothing to See Here is funny without relying on stereotypes. The humor isn’t based on forced quips or halfhearted improvisations. It’s just part and parcel of a story about chasing dreams, seeking independence, and keeping faith in one’s self despite the limitations imposed by others. And through showrunners Big Drama and Santiago Limon, as well as the well-selected cast, it’s hilarious and heartfelt enough to follow.
Champion
After being released on BBC in July 2023, Champion made it across the Atlantic and has been recently released globally through Netflix. The family rivalry might be something familiar, but the way they go about it sounds so different, pulling in various genres from Black British music, compiling a striking soundscape that hasn’t been heard from similar shows. Along with the lovely soundtrack, the show has familiar story beats, but it’s well paced, excellently written, and maintains its slick rhythm without compromising any of its tunes. Champion might have dropped on Netflix without much noise, but the show has a voice and a story worth watching.
Wrestlers
The OVW are practically nobodies outside the pro-wrestling scene, and they know it. They describe themselves as a “third tier” that trails behind more well-known companies like WWE and AEW, with one manager even likening their team to an indie film. If the WWE and AEW are Michael Bay movies, he says, then the OVW is like the highly-rated but little-seen movie The Squid and the Whale. But though their underdog status is bad news for their dipping financials and fanbase, it makes for a compelling story in Wrestlers. The docuseries pulls the curtains on the OVW and acquaints us with the owners, managers, accountants, and of course, the wrestlers, who are all struggling to keep afloat this act they love so much. “Wrestling is the art of physical storytelling,” CEO Al Snow says, and it’s clear that director Greg Whiteley believes him. He captures the OVW lovingly, intimately, making us privy to their highs and lows, celebrations and disagreements, and everything in between. He never forces us, either, but rather invites us to this world as naturally as possible. You may start watching this knowing very little about the OVW, but you’ll leave knowing and caring about them a little more.
Skull Island
Set in the Monsterverse—the same shared universe that King Kong, Godzilla, and their respective films inhabit—Skull Island follows a group of shipwrecked travelers who find themselves stranded on the mysterious titular island, which they soon find out is home to a variety of prehistoric creatures, including the mighty Kong.
Skull Island, the series, delivers wholesome relationships and touching character growth in the face of imminent danger, while also offering exciting action scenes, eye-popping visuals, and amusing jokes that are well-served by voice acting. It's an easy, fun watch that is sure to appeal to fans of the Monsterverse, as well as fans of animated adventure series.
Delete
Centered around a phone with the power to make people disappear, Delete utilizes an intriguing supernatural element to create a steady mystery that thrives on moral dilemmas. With shifting perspectives and a non-linear narrative, it excels at building context and character motivation. What starts as an exposed affair becomes an exploration of the depths of human desires. The series has a strong start, setting a pace that hooks with melodrama and keeps eyes glued with its twists. Whether it's distrust in relationships or dependency on technology, there isn't a dull moment as the phones pass from hand to hand, and the stakes are risen by questionable intentions.
Dear Child
Dear Child may be tackling difficult themes, including sexual violence and domestic abuse, but it’s not hard to watch at all. As a mystery, it’s well-told and gripping, with clues and cliffhangers appearing at just the right moment, and as a drama it’s expertly paced and brilliantly acted, with child actress Naila Schuberth, who plays Hannah, and Kim Riedle, who plays Jasmin, easily owning their scenes. Unlike other stories that decide to take on these delicate themes, it’s not gratuitous or exploitative either. Instead, it knows when to hold back and when to unleash the horrific details of its crimes. The sympathy it shows the victims is present but restrained, at least until the last few moments of the series. By then, the series, with full force, takes the victim narrative and excellently turns it against its head.
Scavengers Reign
“World-building” doesn’t quite capture what Scavengers Reign does — the sheer imagination on display in just the first three episodes of this 12-part adult animation sci-fi could fill multiple universes. From the get-go, we’re immersed in a truly strange new world, one in which panda-like creatures with telepathic abilities control humans, fungi merge with motherboards, and plant-animal hybrids crackle with electricity. All this trippiness is rendered in a 2D animation style that appropriately draws on the fantastical art of Moebius (who in turn influenced Studio Ghibli).
Flashbacks and hallucinations gradually unravel the mystery of just how the crew of the Demeter and their robot assistant Levi (Alia Shawkat) ended up here — a grounding plot thread that keeps things from totally spinning out into mind-bendingly surreal territory. Not just an exercise in stretching creativity in bold new directions, then, but a gripping mystery laying bare the terrifying limitlessness of the cosmos.
Carol & the End of the World
The end of the world isn’t the most optimistic thing to think about, but the scenario leads you to thinking about unrealized dreams, pleasures, and aspirations: the way you want your life to be, if things have gone the way they planned. Dan Guterman, from Community and Rick and Morty, reimagines this idea in Carol and the End of the World. Carol is that mundane, downright boring character that we wouldn’t take notice of in real life, only because she actively chooses the ordinary life, but this show is extraordinary, shifting perspectives and even genres between episodes, taking unexpected turns, and celebrating the day-to-day monotony of life.
Dark Winds
Even without doing the important and long overdue work of uplifting Native American voices, Dark Winds manages to be an intriguing mystery, layered with complex performances and bolstered by the majestic expanse of the American Southwest (in the ‘70s no less!). Finally released from the shackles of supporting roles, Zahn McClarnon shines here; he’s in top form as the gritty but softhearted police officer who protects his tribe from encroaching federal forces. The mysteries that propel the show are compelling too; they have the same beats as any you’d expect from a crime thriller, but they’re seeped deep into Native American mysticism, making them intriguing and wholly unique.
Copycat Killer
Copycat Killer is a gripping and unsettling crime thriller that takes its time to develop its characters and delve into a disturbing cat-and-mouse game between a relentless prosecutor and a manipulative serial killer. The show's slow-burn approach keeps you invested in the characters' journey, while the horrifying events remind you of the potential dangers lurking in the real world. With a mix of tension, manipulation, and grisly acts, Copycat Killer leaves you on edge, keeps you guessing at every turn, and serves as a reminder of the dark realities that exist in society.
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